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Hi
Is anyone interested in seeing what kaida variations we can come up with for:
Ge Na Kut Ta | Ge Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na
1st Var (from zakir-ji's workshop)
Ge Na Kut Ta | Ge Ge Na Ge
Na Kut Ta Ge| Ge Na Ge Na
Kut Ta Ge Ge| Na Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na
next?
Is anyone interested in seeing what kaida variations we can come up with for:
Ge Na Kut Ta | Ge Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na
1st Var (from zakir-ji's workshop)
Ge Na Kut Ta | Ge Ge Na Ge
Na Kut Ta Ge| Ge Na Ge Na
Kut Ta Ge Ge| Na Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na
next?
posted by:
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SF Bay Area
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Sun, August 21, 2005 - 6:47 AMgreat idea - we should be posting more kaidas , compositions etc...
this gets my eternal *BUMP*
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Sun, August 21, 2005 - 9:59 PM2nd Var (dubagenic)
Ge Na Na Kut | Ta Ge Ge Na
Kut Ta Ge Na | Na Ge Na Kut
Ta Ge Na Na | Kut Ta Ge Ge
Na Na Ge Na | Ke Ke Tu Na -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, August 23, 2005 - 1:47 PMdo you think this variation should end with "tu na ke na"? since the theme ends with that?
and what's dubagenic?
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Wed, August 24, 2005 - 9:08 PMYes.... I think you may be right. We can repete the ending phrase :)
I have a question, altough. Being this composition written in tintal, shouldn't we leave the ringing bass strokes out on the 9th, 10th, 11th and 12th beats of the tal?
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Thu, August 25, 2005 - 12:27 PMThat's a good question. I honestly can't speak with any authority on the answer to this. But I believe different tabla soloists approach this idea differently. I've heard Ahmedjan, Zakir-ji, and Anindoda, and I believe most tabla players, just play bhari/khali back and forth w/o any strict adherence to the khali section of the taal. Perhaps, the symmetry of the compositions within the cycle are given more importance then the journey through one cycle of the taal. But, I've also heard that Pandit Nikhil Ghosh felt strongly about reflecting the khali of the taal within the tabla solo. So using the bhand (closed) strokes on the bayan for phrase of the compositions that are played through beats 10 - 11 - 12 - 13 (14 is bayan back) Ahhaaha tabla talk...I love it
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, August 23, 2005 - 1:43 PMI agree! I love this stuff...so let's hear some variations
ge na kut ta | kut ta ge ge |
na ge ge na | tu na ke na |
theme)
or a new theme?
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Thu, September 8, 2005 - 1:34 PM(14)
Dha dhin - dha ge dhin -
ta tin - dha ge dhin -
~alexei -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Fri, September 9, 2005 - 3:44 PMthis is cool,
Like Misra-jati, right?
Dha Te Te | Dha Dha Te Te
Na Te Te | Dha Dha Te Te
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Banaras represent!
Fri, September 23, 2005 - 3:28 AMDhiGa DhiNa TRKT DhiNa DhaGeNaDhiGa TiNaNa
TiKe TiNa TRKT DHiNa DhaGeNaDhiGa DhiNaNa -
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Re: Banaras represent!
Sun, September 25, 2005 - 10:46 PMWow, this is something I've never seen before. Very cool. I like the ending...DhaGeNaDhi GeDhiNaNa, that's pretty hip
Was Pandit Kishan Maharaj of Benares Gharana? Who are some of the other people to listen to get a taste of Benares Gharana...
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Re: Banaras represent!
Tue, September 27, 2005 - 10:36 PMYes, kishan Maharaj is the finest exponent of the banaras baj alive today. Check out Sharda Sahai (Saju Sahai, his son), and Samta Prasad if you can find his recordings. Kumar Bose was trained by Kishan Maharaj as was Sukhvinder Sing Namdhari but their styles are modern and thus mixed.
Chatur lal and his disciples also hail from Banaras but their style mixes more from other gharanas.
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Re: Banaras represent!
Sun, September 13, 2009 - 6:41 AMSir,
Can u post variation / palta's of this kaida. So far i know is only three.
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, October 18, 2005 - 9:50 AMGreat idea - sharing bols is helpful!
Here is a nice kaida from Lucknow that I learned from Shafaat Khan... If interested i can post variations as well. This is for Tin-taal madhya.
Dha te-te dha te-te dha-dha | te-te dha-ge tu-na ka-ta
ta te-te ta te-te ta-ta | te-te dha-ge dhi-na ge-na
P's
Josh -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Wed, October 19, 2005 - 6:51 PMThis is a great composition! I will give a variation:
first var. is obvious - dha te te dha | te te dha dha (3x) te te dha ge | tu na ke na
next variation
Dha te te Dha | te te Dha te
Te Dha te te | Dha Dha te te
Dha te te Dha | te te Dha Dha
te te Dha ge | tu na ke na
khali...
i heard it was Delhi? -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Thu, October 27, 2005 - 1:58 AMIt is possible that this is one of the themes found in most of the six main Gharanas. Regarding the Benares exponents, check out the album with Kishen Maharaj and Kumar Bose in duet! Elucidating! Liner notes detail how Benares tabla solo differs from Lucknow and Farukabhad. Great playing, with trading in 5's and 7's in Tintal. -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Fri, November 4, 2005 - 1:18 PMYeah, thats sounds right...im not really sure whear the above comp is from, although it is very common. -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Fri, November 11, 2005 - 3:04 PMWe also learned the same theme but in Jhaptal (10 beats):
(Dha Te te Dha Dha Te te)x2 Dha ge Tu na Ke na
It swings! -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Fri, November 11, 2005 - 3:06 PMPS Chatur Lal is still one of my all-time favorite players; he must have spent hour after hour coing up with tihai's from every beat of dozens of Talas. Try to find some of his solos- it's amazing! Are any of his students currently on the scene? -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Sun, January 15, 2006 - 6:23 PMYes, I study with Pandit Charangeet Chaturlal. :0)
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, December 19, 2006 - 2:29 PM
x Dha-TeTe GheReNaGa GheReNaGha Dhet- - - |
2 Dha-Dha- GheReNaGa Tu-Na- KeReNaKa|
0 Ta-TeTe KeReNaKa KeReNaKa Tet- - - |
3 Dha-Dha- GheReNaGa Dhi-Na- GheReNaGa| -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Wed, December 20, 2006 - 8:10 PMkyah bhat hai, nice composition. here's a variation, tell me whether you like it:
x Dha - TeTe GeReNaGa GeReNaGe TeTeGeRe
2 NaGeGeRe NaGeTeTe GeReNaGe Dhet - - -
o Dha-TeTe GheReNaGa GheReNaGha Dhet- - - |
3 Dha-Dha- GheReNaGa Tu-Na- KeReNaKa -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Fri, December 22, 2006 - 5:22 PMInbetween hostels right now so I'll have to play it later, but the bols roll from my tongue with some funk latent playfullness. I give it a two yums up! -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Sat, January 13, 2007 - 4:52 AMoh my it's almost 5 in the morning (how tribe can make one lose all sensibilities....) and i just found this thread, and i have to say thank you thank you thank you! bringing me back to tabla land...(been immersed in bellydance land, it's good there too...) but really, i studied with Kishan Maharaj and his son Prakash Maharaj in Benares back in '93 and you guys are posting bols i learned...aah this is so good so good...i'd say this must be a sign that it's time to start playing again... -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Mon, January 22, 2007 - 4:15 PMkyah bhat hai...
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Sat, March 3, 2007 - 6:34 AMYasmina,
What you tell me is very hard to believe. I studied with Kisham Maharaj many years ago in Benaras and what I remember is that he would be way to conservative to teach a female. Last a recall, as part of a very traditional brahmin family, the female members of the family weren't instructed in tabla. Did you become a disciple, aka gunda-bandth? Last I recall he only accpeted disciples as students but maybe this was diffrent in the past. I dont mean to doubt your sincereity, I'd be very interested in connecting with you as I have never met another westerner who has studied with Kishan Maharaj. -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, March 13, 2007 - 1:31 PMhi MIke!
i was first taken to see Kishan Maharaj, and he had just had eye surgery, and so sent me to his son Prakash Maharaj, and i had a lesson in his family's home each evening. When Kishan Maharaj recovered he would come by, watch and comment, (and wave his cane in my face!) but it was his son who was my main teacher. i was invited to become a disciple on my next visit (i was there only two months the first time), but regretfully i didnt go back to Benares as i'd planned. i do think it is unusual for a woman to study tabla, but as i was introduced to them through their family friend, they treated me as a guest, and they seemed pleased that i was interested in studying.
You're correct the female members of his family were not instructed in tabla. Prakash's daughter did not study music, though she danced beautifully. Last letter i received from Prakash Maharaj said both his sons are now very accomplished musicians.
that's great you had the opportunity to study with Kishan Maharaj.
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, March 27, 2007 - 10:54 AMThis thread is growing deviant.
I have been on a tangent of my own, from classical to kirtan's and chelesa's and such.
Trying to keep active despite New Mexico's seeming lack.
So the basic framework, from what I understand is based on something like Bhajan's:
+[dhin-] [na dhin] [-dhin] [na-]
0[dhin-] [na tin] [-tin] [na-]
What are some of the other rhythms used for these styles?
Tasty derivations?
Oh, and here's one for the kiddies: Delhi style
+ [dha- ghena tete dhaghe] [dhate tedha ghedha tete]
[ghena tete dhate tedha] [ghena dhaghe tina kena]
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, March 27, 2007 - 2:52 PMMy fav variations change to triplets/sextuplets, but I am wondering how you would notate triplets. I guess the brackets would work?
[Dha ghe na] [trktnk] [dhin ghe na] [trktnk] [na k na] [ktnkdha-] [trktnk] [Dha dhin na]
[na kat na] [trktnk] [tin kat na] [trktnk] [na k na] [ktnkdha-] [trktnk] [Dha dhin na] -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, March 27, 2007 - 4:25 PMAck! I was supposed to base it on the original post! -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Tue, March 27, 2007 - 9:45 PMYou did, good sir. It's a composition, is it not?
(-don't answer that)
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Wed, March 28, 2007 - 6:11 PMhey! This is very cool! I want to understand a little better:
Dha Ge Na, terekitetake, Dhi Ge Na, terekitetaka
Na Ka Na, kitetakaDha- , terekitetaka, Dha Dhin Na
(khali)
Na Ke Na, terekitetake, ti ke na, terekitetaka
Na Ka Na, kitetakaDha- , terekitetaka, Dha Dhin Na
all I gotta say is, welcome to the party, man. I'm going to practice this and a share a variation later...thank for the great contribution!
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Wed, April 11, 2007 - 6:49 PMhere's a 2nd Variation for this one:
Ge Na Kut Ta | Ge Ge Na Ge
Ge Ne Ge Ge | Na Ge Ge Na
Ge Na Kut Ta | Ge Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na
3rd Variation
Ge Na Kut Ta | Ge Ge Na Kut
Ta Ge Ge Na | Ge Ge Na Kut
Ta Ge Ge Na | Ge Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na -
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Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:16 AMhi i am Chaman Lal a keen disciple of Ustd Ghulam Shabir Khan sb s/o Late.Ustd Mahooq Ali Khan Sb of Punjab Gharana from Pakistan.[Ustd Mashooq ALi Khan sb were senior disciple of Late.Ustd Mian Kadir Baksh Khan Sb of Punjab Gharana and Ustad Allah Rakha Khan sb were also disciple of Ustd.Mian Kadir Baksh Khan sb. And Ustad Ghulam Shabir Khan Sb and Ustad Zakir Hussain Khan sb are disciple Of Late.Ustad Kahilifa Akhter Hussain Khan Sb of Punjab Gharana from Pakistan though both have learned tabla form their own fathers]...Here are some uniqe Thekas and kaidas for tabla lover from me...
A Unique Classical Jhap Taal Theka (10beats):
1 2 3 4 5 6 7 8 9 10
dhin tit.kit dhin dhin nag Tin tit.kit dhin dhin nag
Another Theka of Jhap Taal is:
1 2 3 4 5 6 7 8 9 10
dhin na kard.dhin kard.dhin.dhin na Tin na kard.dhin kard.dhin.dhin na
Kaida for Jhap Taal Practice is:
Dha Dha tit kit dha tit kit dha tit kit
Ta Ta tit kit dha tit kit dha tit kit
Tehai for this kaida is:
1. Dha Dha tit kit dha tit kit dha tit kit dha-ti-dha
2. Dha Dha tit kit dha tit kit dha tit kit dha-ti-dha
3. Dha Dha tit kit dha tit kit dha tit kit dha-ti-dha
Another Kaida for Jhap Taal is:
Dha gy tit dha gy na gy tin na kina dha gy na gy tin na kina
Ta gy tit dha gy na gy dhin na ghina dha gy na gy dhin na ghina
Tehai for this kaida is:
1. Dha gy tit dha gy na gy tin na kina dha gy na gy tin na kina
Ta gy tit dha gy na gy dhin na ghina dha gy na gy dhin na ghina
dha-ke-dha-ti-da
2. Dha gy tit dha gy na gy tin na kina dha gy na gy tin na kina
Ta gy tit dha gy na gy dhin na ghina dha gy na gy dhin na ghina
dha-ke-dha-ti-da
3. Dha gy tit dha gy na gy tin na kina dha gy na gy tin na kina
Ta gy tit dha gy na gy dhin na ghina dha gy na gy dhin na ghina
dha-ke-dha-ti-da
A 9beats Taal is:
1 2 3 4 5 6 *7 8 9
dhin tit.kit dhin dha.ti tin na dha.gy .na.dha.tit.kit
It should be note that bols from beat 7 to 9 should be performed in three beats in wavy style..
Kaida for 9beats practice:
XDha Dha tit kit
Dha Dha tit kit tit kit
Dha Dha tit kit
Dha Dha tin na
0Khali
Ta Ta tit kit
Dha Dha tit kit tit kit
Dha Dha tit kit
Dha Dha tin na
Tehai for this kaida is:
1. Dha Dha tit kit Dha Dha tit kit tit kit dha-ti-dha
2. Dha Dha tit kit Dha Dha tit kit tit kit dha-ti-dha
3. Dha Dha tit kit Dha Dha tit kit tit kit dha-ti-dha
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:29 AMBRAHMA TAAL (Theka in 28 Beats)
10 - Taali, 4 - khali.
1 2 3 4 5 6 7 8
9 10
Dha Tet | Dhet Kita | Taka Dhuma | Kita Taka | Dhet Ta |
X 0 2 3 0
11 12 13 14 15 16 17 18 19 20
Dhet Ta | Dhage Tete | Tage Tete | Thun Na | Kat Ta |
4 5 6 0 7
21 22 23 24 25 26 27 28 X
Din Ta | Kete Taga | Tete Kata | Gadi Ghene | Dha
8 9 10 0 -
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:32 AMHere's a beautiful qaida for chartaal ki sawari
(source : Tabla Mridang Sagar by Principal Dayal Singh)
Dhage Tit Dhage Nage Tina Kina
Dha Traka Dhikit Dhage Dhit Dhit
Dha Trake Dhikit Dhage Dhit Dhit
Dhage Nage Tina Kina
and the khali
Take Tit Take Nake Tina Kina
Ta Traka Tikit Take Tit Tit
Dha Trake Dhikit Dhage Dhit Dhit
Dhage Nage Tina Kina -
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:33 AM16 beats Gut: ustad sheikh dawood khan sb
DHINA GIDA NAGA DHINA DHAGE TRAKA TOONA KATHA
TAKITA TA KITA DHAGE TRAKA DHINA GHIDA NAGA
GHINA KATA GHE GHE NAGA DHINA TOONA KIDA NAGA
TAKA DHINA TAKA DHINA DHAGE TRAKA TOONA KATHA -
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:34 AMTripalli COMPOSITION Jhaptal (10beats)
DhaTraka DhiKit KataGa DiGaNa Dha
DhaTrakaDhi KitKata GaDiGaNa DhaDhaTra kaDhiKit
KataGaDi GaNaDha-- ---- DhaTrakDhiKit KataGaDigaNa
DhaDhaTrak DhiKitKataGa DigaNaDha DhaTrakDhiKit KataGaDigaNa
COMMENTS
- Tripalli means a composition using three layas (Tempos) - This tripalli is having another unique thing that the first tempo is repeated once , second one twice and third one thrice forming tihayi. - Simplicity is the assence of beuty !! Isn't it ?
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:36 AM
Chakradar COMPOSITION Tintal Punjab
[Dha-nDhi KiTeDhaTre KreDhiTeTe KaTreKreDhi
TiTeKaTa GiDiGiNe Dha-KiTeTaKe Dhin--Dhin
--NaNa KiTeDha- nDha-n Dha-KiTeTake
Dhin--Dhin --NaNa KiTeDha- nDha-n
Dha-KiTeTake Dhin--Dhin --NaNa KiTeDha-
nDha-n Dha] *3
-----[same composition completely written out]------
x Dha-nDhi KiTeDhaTre KreDhiTeTe KaTreKreDhi |
2 TiTeKaTa GiDiGiNe Dha-KiTeTaKe Dhin--Dhin |
o --NaNa KiTeDha- nDha-n Dha-KiTeTake |
3 Dhin--Dhin --NaNa KiTeDha- nDha-n |
x Dha-KiTeTake Dhin--Dhin --NaNa KiTeDha- |
2 nDha-n Dha-Dha- nDhiKiTe DhaTreKreDhi |
o TeTeKaTre KreDhiTiTe KaTaGiDi GiNeDha- |
3 KiTeTaKeDhin- -Dhin-- NaNaKiTe Dha-nDha |
x -nDha- KiTeTakeDhin- -Dhin-- NaNaKiTe |
2 Dha-nDha -nDha- KiTeTakeDhin- -Dhin-- |
o NaNaKiTe Dha-nDha -nDha- Dha-nDhi |
3 KiTeDhaTre KreDhiTeTe KaTreKreDhi TiTeKaTa |
x GiDiGiNe Dha-KiTeTaKe Dhin--Dhin --NaNa |
2 KiTeDha- nDha-n Dha-KiTeTake Dhin--Dhin |
o --NaNa KiTeDha- nDha-n Dha-KiTeTake |
3 Dhin--Dhin --NaNa KiTeDha- nDha-n |
x Dha
COMMENTS
"This is the phrase for a Chakradhar I composed based on comps from Punjab and Benaras. The main emphasis is on the use of Dhin in the Tihai section of the piece. This sound is supposed to mimic the use of Meend in Raag. This was what I borrowed from the Original 'Farmaishi' piece of Benaras. Of course this phrase will be repeated 3 times in all as a Bedum Chakradhar. The 'n' bols are using the middle and ring finger both on the edge of the syahi or just the ring finger."
Chaman Lal +92-333-3256772 -
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:44 AM
Peshkar COMPOSITION Tintal
x Dha-Kre-Dha-Dhin- --Dha-Te-Te- Dha-Ti-Dha-Ghe Ti-Na-Kin--- |
2 TeReKeTeDha-Dhin- --(DhereDhere)Kot-Na- Dha-Ti-Dha-Ghe Ti-Na-Kin--- |
COMMENTS
"DhereDhereKot is played really fast.....it sets you up for a lot of tereketes and dhere dheres at the end of the presentation...
also contains main bols to play in 3's for more variational properties."
The entire (DhereDhere) takes one quarter of a matra to perform.
Kot is a dead stroke on the dagga (like kut). -
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This is the maximum depth. Additional responses will not be threaded.
Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:46 AMPeshkar COMPOSITION Tintal Farukhabad Gharana By: Ustad Ahmedjan Thirakwa
x
Dhin-Kr DhinTa -Ta DhinTa
Dha-Kr DhaTi DhaDha DhinTa
Tik-Dha -KrDha TikDha DhaTi
Dha-Kr DhaTi DhaDha DhinTa
KeReNaKa Tu-Na- KeReNaKe TinGeTiNa
KiNaTaKe TiRaKiTa TaKeTraKa TiNaKiNa
Tik-GeNa -NaDhaGe Dhin-Ta- GeNa-Na
DhaGeDhin- Ta-GeNa -NaDhaGe Dhin-Ta-
COMMENTS
Two traditional peshkars mixed in one by Ustad Ahmedjan Thirakwa, with tihai from khali. Tik (3rd line)= a kind of hard "Te" with midle finger on Syahi. ti (3rd line, 4th beat)= tun -
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Re: Hi tabla lovers here is new stuff for tabla practice....
Sun, March 15, 2009 - 5:56 AMTeen Taal Rela Punjab Gharana Ustad.Ghulam Shabir Khan
dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik
Tripalli Tehai for this rela is
1. dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik
dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik dha-ke-dha-te-dha
dha tit kit tik Ta tit kit tik dha-ke-dha-te-dha
dha tit kit tik Ta tit kit tik dha-ke-dha-te-dha (take one beat laspe)
2. dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik
dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik dha-ke-dha-te-dha
dha tit kit tik Ta tit kit tik dha-ke-dha-te-dha
dha tit kit tik Ta tit kit tik dha-ke-dha-te-dha (take one beat laspe)
3. dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik
dha tit kit tik
Ta tit kit tik
Ta tit kit tik
dha tit kit tik dha-ke-dha-te-dha
dha tit kit tik Ta tit kit tik dha-ke-dha-te-dha
dha tit kit tik Ta tit kit tik dha-ke-dha-te-dha (sum)
Comments:
Its very beautiful rela when is played with speed and its very beautifll tripalli....jst do it
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Chek this Uthan Compostion its rare one....
Sun, March 15, 2009 - 5:27 AMUthan COMPOSITION Tintal Punjab traditional
x Dha-Dha-TiRiKiTa Dhin-TiRiKiTaDhin- Ta-Ran-Dha-Ti Dha-TiRiKiTaTaKe |
2 GaDiGiNeKiTaTaKa DhiReDhiReKiTaTaKa TiRiKiTaNaGaDhit Ka-Ran-Dha-Ti- |
o Dha---(Dha-Ti- Dha-)--KiTaTaKa TiRiKiTaNaGaDhit Ka-Ran-Dha-Ti |
3 Dha---(Dha-Ti- Dha-)--KiTaTaKa TiRiKiTaNaGaDhit Ka-Ran-Dha-Ti |
x Dha
For any kind of help in any taal m here...Chaman Lal...+92-333-3256772
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Re: Chek this Uthan Compostion its rare one....
Mon, September 14, 2009 - 10:28 PMBhaji how do u play Ran?
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Mon, August 20, 2007 - 5:00 AMBhaji How are are you playing KUT? -
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Fri, October 26, 2007 - 5:12 PMkut = ka = ke = flat hand on bayan
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Re: share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...
Mon, August 20, 2007 - 5:18 AMBelow peice is good for practising open tin and din with normal Na
Dina gina dina gina Nati Takhe tina kina
Tina Kina Tina Kina dati daghe dina gina
Also try substituting Dati and Nai with Din
e.g .D i n Takhe tina kina
T i n Takke dinagina [kali Din]
Variation on Da tit kaida
1.
da tit da tit dada tit takhe tina kina
ta tit ta tit tata tit daghe dina gina
2. da tit da ti dada x 3
tit takhe tina kina
3. da tit da tit
dada tit tit tit x 3
tit takhe tin kina
Tin Taal Tukra
Da Tit Da Tit DaDa Tit
Titikittak Na Titikit Da x 3
