share a composition or kaida (ge na kut ta | ge ge na kut | ta ge ge na...

topic posted Thu, August 18, 2005 - 11:29 AM by  offlinesameer
Hi

Is anyone interested in seeing what kaida variations we can come up with for:

Ge Na Kut Ta | Ge Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na

1st Var (from zakir-ji's workshop)

Ge Na Kut Ta | Ge Ge Na Ge
Na Kut Ta Ge| Ge Na Ge Na
Kut Ta Ge Ge| Na Ge Na Kut
Ta Ge Ge Na | Tu Na Ke Na

next?
posted by:
sameer
SF Bay Area


  • x Dha-TeTe GheReNaGa GheReNaGha Dhet- - - |
    2 Dha-Dha- GheReNaGa Tu-Na- KeReNaKa|
    0 Ta-TeTe KeReNaKa KeReNaKa Tet- - - |
    3 Dha-Dha- GheReNaGa Dhi-Na- GheReNaGa|
    • kyah bhat hai, nice composition. here's a variation, tell me whether you like it:

      x Dha - TeTe GeReNaGa GeReNaGe TeTeGeRe
      2 NaGeGeRe NaGeTeTe GeReNaGe Dhet - - -
      o Dha-TeTe GheReNaGa GheReNaGha Dhet- - - |
      3 Dha-Dha- GheReNaGa Tu-Na- KeReNaKa
      • Inbetween hostels right now so I'll have to play it later, but the bols roll from my tongue with some funk latent playfullness. I give it a two yums up!
        • oh my it's almost 5 in the morning (how tribe can make one lose all sensibilities....) and i just found this thread, and i have to say thank you thank you thank you! bringing me back to tabla land...(been immersed in bellydance land, it's good there too...) but really, i studied with Kishan Maharaj and his son Prakash Maharaj in Benares back in '93 and you guys are posting bols i learned...aah this is so good so good...i'd say this must be a sign that it's time to start playing again...
          • Yasmina,

            What you tell me is very hard to believe. I studied with Kisham Maharaj many years ago in Benaras and what I remember is that he would be way to conservative to teach a female. Last a recall, as part of a very traditional brahmin family, the female members of the family weren't instructed in tabla. Did you become a disciple, aka gunda-bandth? Last I recall he only accpeted disciples as students but maybe this was diffrent in the past. I dont mean to doubt your sincereity, I'd be very interested in connecting with you as I have never met another westerner who has studied with Kishan Maharaj.
            • hi MIke!
              i was first taken to see Kishan Maharaj, and he had just had eye surgery, and so sent me to his son Prakash Maharaj, and i had a lesson in his family's home each evening. When Kishan Maharaj recovered he would come by, watch and comment, (and wave his cane in my face!) but it was his son who was my main teacher. i was invited to become a disciple on my next visit (i was there only two months the first time), but regretfully i didnt go back to Benares as i'd planned. i do think it is unusual for a woman to study tabla, but as i was introduced to them through their family friend, they treated me as a guest, and they seemed pleased that i was interested in studying.
              You're correct the female members of his family were not instructed in tabla. Prakash's daughter did not study music, though she danced beautifully. Last letter i received from Prakash Maharaj said both his sons are now very accomplished musicians.
              that's great you had the opportunity to study with Kishan Maharaj.
  • Below peice is good for practising open tin and din with normal Na

    Dina gina dina gina Nati Takhe tina kina
    Tina Kina Tina Kina dati daghe dina gina

    Also try substituting Dati and Nai with Din
    e.g .D i n Takhe tina kina
    T i n Takke dinagina [kali Din]

    Variation on Da tit kaida

    1.

    da tit da tit dada tit takhe tina kina
    ta tit ta tit tata tit daghe dina gina

    2. da tit da ti dada x 3
    tit takhe tina kina

    3. da tit da tit
    dada tit tit tit x 3
    tit takhe tin kina

    Tin Taal Tukra

    Da Tit Da Tit DaDa Tit
    Titikittak Na Titikit Da x 3

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